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Jan Van Eyck
Portrait of Giovanni Arnolfini
1435(1435)
Medium oil on oak
Dimensions Height: 29 cm (11.4 in). Width: 20 cm (7.9 in).
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Jan Van Eyck
Portrait of Baudouin de Lannoy
1435(1435)
Medium oil on oak
Dimensions Height: 26 cm (10.2 in). Width: 20 cm (7.9 in).
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Jan Van Eyck
Portrait of Cardinal Niccole Albergati
between 1431(1431) and 1432(1432)
Medium oil on panel
Dimensions Height: 34.1 cm (13.4 in). Width: 27.3 cm (10.7 in).
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Jan Van Eyck
Portrat des Kardinal Nicholaes Albergati
1431-1432
Medium oil on panel
Dimensions 34 x 27,5 cm
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Jan Van Eyck
Crucifixion y Juicio final
1426(1426)
Medium oil on panel
Dimensions 2 x 56.5 x 19.7 cm (22.2 x 7.8 in)
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Jan Van Eyck
St Jerome
1442(1442)
Medium Oil on parchment on oak panel
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Jan Van Eyck
Portrait of Giovanni Arnolfini and his Wife
1434(1434)
Medium oil on oak
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Jan Van Eyck
Portrait of Giovanni Arnolfini and his Wife
1434(1434)
Medium oil on oak
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Jan Van Eyck
Madonna des Kanonikus Georg van der Paele, mit Hl. Domizian, dem Hl. Georg und dem Stifter Paele
1436(1436)
Medium oil on panel
Dimensions 122 X 157 cm
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Jan Van Eyck
Virgin Mary
between 1426(1426) and 1429(1429)
Medium oil on panel
Dimensions Height: 168.7 cm (66.4 in). Width: 74.9 cm (29.5 in).
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Jan Van Eyck
St John the Baptist
between 1425(1425) and 1429(1429)
Medium oil on panel
Dimensions Height: 168.1 cm (66.2 in). Width: 75.1 cm (29.6 in).
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Jan Van Eyck
Lucca Madonna
1436
Type Oil on panel
Dimensions 65.5 cm x 149.5 cm (25.8 in x 58.9 in)
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Jan Van Eyck
Saint Jerome in His Study
1442
Type Oil on panel
Dimensions 20.6 cm x 13.3 cm (8.1 in x 5.2 in)
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Jan Van Eyck
Portrait of a Man
1433(1433)
Medium oil on panel
Dimensions 15.5 X 19 cm
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Jan Van Eyck
St Jerome
1442(1442)
Medium Oil on parchment on oak panel
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| Jan Van Eyck
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1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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